shows upcoming

Sieff, Jeanloup: Yves Montand, Paris 1961

famous faces

We would like you to save the date for our next exhibition:
famous faces – Seeing and Being Seen


Opening Hours:

September 11th – October 13th Tuesdays and Wednesdays 4 – 7 pm, Saturdays 11 am – 4 pm

Octover 13th - 29th after prior arrangements

Opening on Saturday September 9th, 7 - 9.30 pm

The human face is surprisingly full of expression and we tend to “scan” it in order to differentiate between the smallest changes in mimics of others. The recognition of human faces and mimics is so important that an entire area in our brains is devoted solely to this task. So it is not too surprising that the portrayal of the human face also takes up a great role in art.

Since ancient times, artists have been producing portraits not only of rulers, but also of prominent figures of public life. These portraits have mostly been used in the absence of said person and gave that person a sort of symbolic presence, in which they continued living through their representations. They did not only reflect the prominence of said persons, which is mostly connected to an illusion of success and luck, but also with intelligence, beauty and talent. Through this tradition a cult of celebrities evolved, which has undergone rapid changes in the course of the last centuries. The changes and developments in technology play a great role in this process. One of the most important inventions in said field was of course the invention and development of photography. This medium, which has been a quite new invention back then, was to supersede painting, especially in regards to portraiture, in the course of the 19th century.


A great portraitist – of which only very few exist – is a kind of researcher for resources, for him it is about deeper aspects, not only about outward appearance.” - Paul Goudeket (ANTLITZ DES RUHMES, p.134)


With the opening of the exhibition “famous faces” on September 9th, the visitor may appropriate to portraiture in photography in a way that has never been done in the in focus Galerie. Until October 29th, one can see the most important faces of the 20th century, portrayed by the best photographers of that time.

Those masters behind the camera are photographers like Elliott Erwitt, Jeanloup Sieff and Arnold Newman, who most likely belong to be best-known photographers of the 20th century. They are accompanied by works by Greg Gorman and Patrick Demarchelier, two significant fashion- and celebrity- photographers known all around the globe. The exhibition is completed through "Environmental Portraits" by the magazine-photographers Abe Frajndlich and Thomas Hoepker, the best-known German Magnum-photographer. Celebrities of the 1950s and 60s have been portrayed by Bernard of Hollywood, while German authors and artists have been the center of Karin Székessy's and Dietmar Schneider's work.


In this exhibition the visitor can see: actors such as Marilyn Monroe, Sophia Loren and John Wayne, models such as Twiggy or Iman, musicians such as Stravinsky and Barbra Streisand, artists such as Andy Warhol, Joseph Beuys and Picasso, authors such as Lenz, Grass or Böll, but also politicians such as John F. Kennedy and Mao Tse Tung.

These works do not only focus on the outward appearance of the portrayed person, but also their personalities and offer an insight in their contemporary lives.


famous faces” manifests a wide range of contemporary portrait-photography, moving between documentary up to staging, from the reformulation of ikonographic traditions up to the artistic and conceptual aspects of photography.

Image: Sieff, Jeanloup: Yves Montand, Paris 1961

Scarlett Hooft Graafland

Shores Like You

Opening Hours:

November 14th – December 22nd Tuesdays and Wednesdays 4 – 7 pm,
Friday and Saturday 3 - 7 pm, Saturdays 11 am – 4 pm

The artist will join the opening on Saturday,
November 11th, 7 - 9.30 pm.

Scarlett Hooft Graafland creates magical photographic images in far-flung places, including the high-altitude salt flats in Bolivia, remote farm sheds in Iceland, the beaches of Yemen, Madagascar, the polar region and the Dutch village of Gorinchem. Her work touches upon major themes such as the disappearance of traditional cultures and the fragility of nature, yet the tone is always light, colourful and surreal.

Scarlett Hooft Graafland turns these austere surroundings into live actors in the highly choreographed performances that she stages there. Weeks of preparation, in which she works closely with inhabitants, culminate in a scene where local social issues take centre stage and the vast surreal landscape becomes the chorus of a calssical tragicomedy that silently comments on the subject. Without the use of any digital manipulation, using only her analogue camera and the natural light that reveals itself during the enactment, the artist truthfully captures the joyful drama in the open scenery.


Scarlett Hooft Graafland received a BFA at the Royal Academy of Art in The Hague, the Netherlands and a MFA in sculpture at Parsons School of Design, New York. Initially, Scarlett Hooft Graafland mainly took photographs to document her sculptures and performances, but gradually, her photographs became works of art in their own right. Her work is in art collections such as the Museum of Photography, Seoul; Huis Marseille Museum of Photography, Amsterdam; Landskrona Museum, Sweden; Contemporary Art Museum – Palestine (CAMP), Jerusalem; AMC Hospital, Amsterdam; Museum Voorlinden, Wassenaar; USB, Zurich; Miramax, New York and Statoil, Norway.

Image: Hooft Graafland, Scarlett - Pink Lady, 2015